Great Fatea review from Sat 21 Jan 2017 in Exeter:
“After a short break to allow everybody to raid the wide variety of Twiggs Gigs cakes (which are becoming a legend in their own right), Peter James Millson stepped up for his set. In the flesh Millson is humble and unassuming, not full of stories and anecdotes, but with a confidence in his songs to do the talking for him. It is a confidence that is well placed, with a set that was both engaging and enthralling from start to finish.
From the first song, In Winter (taken from his debut album Sweet The Love That Meets Return), to the superb cover of Nancy Griffiths’ Love At The Five And Dime, Peter had the audience eating out of the palm of his hand. There were a few more songs from his most recent album, The Red Café, including a spine-tingling rendition of the title track, and the wonderful Hook On The Line. The majority of the songs he played were new, with several due to be released on his next intriguing album, Mobile.
Mobile is an album recorded entirely on a windows phone, which is due to be released this year. Peter was at his most passionate and eloquent when talking about the album, which is clearly a project he is hugely proud of. There’s a campaign coming soon to Indiegogo, and if the songs he played at the gig are anything to go by, he’s right to be excited by this one. In particular True Believer and We’ve Got It All are fantastic songs, showcasing Peter’s vocal range and unique delivery. It sounds like a campaign well worth backing.
The gig finished with a new song, Two Wheels Good, and Victory Lap from The Red Café. The former came from his memories of riding his bike while listening to Prefab Sprout’s seminal album, Steve McQueen (named Two Wheels Good in the States), and is full of a sense of nostalgia. Victory Lap is Peter’s ode to the great Glen Campbell and is a gorgeous song.
It really does feel as if Peter James Millson will soon be a name on everybody’s lips, and that 2017 could be a real breakout year for him. Certainly on the strength of this gig, he should be a far bigger name than he is right now. Mobile is one of the most intriguing concepts I’ve heard of in quite some time, and I’m eager to hear how the songs will turn out. I’ll be backing the crowd funding campaign, and I hope many more do so as well. This has the potential to be one of the best of albums of the year.
I’d urge anyone to get out to see Peter James Millson perform (and indeed Border Tales, Greg Hancock and Jo Hooper) if he plays near you. Having travelled from Berkshire to Exeter myself to see him play, he’s well worth the journey. Given there was a couple that had come down from Essex just to see him, I’m sure they would agree heartily with me”.
I’ve got a new album all done and waiting for you to hear. Produced by Boo Hewerdine and recorded… on a phone.
Boo came up with the idea to make a record using only my phone (a Windows phone) to record with. The early demos I’d recorded in this fashion to show to Boo had a real affecting elegance and not losing that was an idea that was there in the room with us as we listened. I set about simplifying the structure of all ten songs and experimented with phone position in relation to me and the guitar/piano/voice. We then picked the most beautiful of all the (straight, live) takes and spent a long time on the mastering (Chris Pepper) and the running order.
The result is a very moving and affecting record. We’ve all been blown away by it, actually.
I asked my friend, the illustrator, Paul Blow to listen to it and see what came to him in terms of imagery. The cover you see, of the girl and the arrow and the bird, is the result. It left me speechless.
My wife came up with the brilliant title: Mobile.
We want everyone to hear this and so would like you to help us by contributing to the costs of getting an initial run of CDs pressed and of getting someone to do us a press campaign.
I hope this record sounds like your sort of record. Songs of love, life and, of course, hope.
I’m playing on the Saturday 21 Jan in Exeter at St James Church Hall. Doors open 7.30 p.m. and support is from Border Tales (sublime harmonies a-la CSNY). Tickets are a tenner. I have new songs and I can remember some old ones. Would love to see you there.